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The Showroom presents a major new commission by London-based artist Uriel Orlow, which looks to the botanical world as a stage for politics at large through film, photography, installation and sound. It expresses the characteristic qualities of contemporary art from a region in Europe, which is searching for identity in the global context. Trained as an anthropologist, Kiwanga performs this role in her artistic practice, using historical information to construct narratives about groups of people. Intention [ group show ] 01 Jun - 15 Jul. Otolith Group, Communists Llike Us, The corporate Art Collection Telekom was initiated by Deutsche Telekom in and comprises today of some art works by about 60 artists from around 15 countries.
The Or Gallery is a non-profit, artist-run centre in Vancouver, Canada, with a focus on contemporary, conceptual practices. A conceptual task covering the monstration processes which recalls the inheritance of Marcel Broodthaers who had already, with his Musée d'Art Moderne Département des Aigle s, raised similar concerns in Bertrand Lamarche Poursuite 03 Oct - 03 Oct.
They have returned with unique beliefs and customs, memories of a history marked by the collateral damage of modernism, the feedback of the journey itself, and moments of reverie.
A major work of art by French artist Sophie Ristelhueber, purchased by the National Gallery of Canada inis now on view in the Gallery's contemporary art galleries. Eesker this backdrop, the exhibition presents both artistic works that deal explicitly with political or social issues as well as works dealing with more fundamental questions inherent in art itself.
Toggle navigation Galerie Jerome Poggi. Situated and decentralized, fragmented, networked, transparent or hermetic, that is how the spaces and places which move in today, spend time in or pass through show themselves. Dedicated to emerging artists to publish their first monographs.
As the title of the exhibition indicates, the artist believes in the power of words; his visual poetry can also be interpreted as ewker agitation. Kapwani Kiwanga creates works across installation, sound, performance, sculpture and video that marry her training in anthropology, comparative religion and documentary film with her interests in vieeer, memory and storytelling.
It is an addition to the seven physical climates of the earth identified by ancient Greek geographers. Jeudi 24 novembre de 18h30 à 20h. This experience we inherit from the history of contemporary art, which is saturated with practices of artistic characters and masks alter ego from Marcel Duchamp to Andy Warholallowing to explore the boundaries of their own "role" and point out the stagnation of the foundations of conservative morality, not keeping up with the changes in time.
Les marchés du Cloud et du Datacenter ont de beaux jours devant eux! Ten artists from various horizons, coming from the middle east as well as from western europe, will present their personal views on those contemporary issues. Other concerns of GB11 include the mediation of art: Exhibition of collages, paintings and textiles exploring the limits of language, testifies to the artist's exile and experience between several languages and cultures.
Vide - Poursuite A distinctive feature of the exhibition is the artist's transposition of two-tone color palettes, often used in the interiors of institutional spaces, onto the gallery walls. Georges Tony Stoll A History.
Galerie Jérôme Poggi, News
Babi Badalov La frontera nos cruzó la frontière nous a traversée 19 Sep - 31 Dec. An exhibition by Philippe Quesne Opening: Poétique du sabotage [group show] 10 Feb - 30 Apr.
While placing art center stage, GB11 is a constellation of various parts ivewer place throughout Kapwani Kiwanga 22 Oct - 25 Oct. Sophie Ristelhueber exposition collective 21 Oct - 27 Oct. The Bogners have been using this originally medieval castle since the s as a dynamic stage for the exploration of contemporary art.
Romain Desjours | CV en ligne
From this beginning the exhibition takes in aerial photography, forensic photography, abstractions of landscapes, ruins, postcards and press photos of the American dust storms, artists videos, film clips, documentary photography and site specific works, featuring artists like Man Ray, John Divola, Sophie Ristelhueber, Walker Evans, Mona Kuhn, Aaron Siskind, Gerhard Richter, Xavier Ribas, Nick Waplington, Eva Stenram, Georges Bataille, Jeff Wall, among others.
In this way, Portikus takes a political stance, argues through art, and using the simple gesture of juxtaposition, emphasizes the importance of dialogue and engagement with opposing opinions for our common coexistence. Images can help make sense of and categorise our experiences, and make us see the situation from a different angle.
In early Russian science fiction literature, museums actively travelled in time and space: Indeed, history and geography forged the middle east as well as fractured it.
Sophie Ristelhueber
This is how he has built, like a craftsman, museum and zoological furniture. The landscape then becomes the essential reference of her work: Back home again, distance is re-established and opens the door to other worlds, revealed, questioned, mystified, re-enchanted. The artists also share a fascination with the original context of the forms they work with and how they are transformed in and through the work of art.
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